I'm particularly captivated by Time Traveler III. Being on a pedestal and being able to walk around it accentuates its dramatically different viewpoints.
Time Traveler III
carved and polychromed poplar
2011
Time Traveler III
carved and polychromed poplar
2011
Time Traveler III
carved and polychromed poplar
2011
Time Traveler III
carved and polychromed poplar
2011
Looking
at these five images now, it is hard for me to believe that they are all
of only one sculpture. If I hadn't been to the show, and known that
there was only one checkered sculpture on a pedestal, I wouldn't believe
that it is the same piece.
Time Traveler III
carved and polychromed poplar
2011
Though you can't walk around the wall pieces, they still playfully test the viewers perception of perspective.
Time Traveler IV
carved and polychromed poplar
2011
As you move to the left, the piece seems to warp in front of your eyes, as if light doesn't behave like you expect it to.
Time Traveler IV
carved and polychromed poplar
2011
Time Traveler IV
carved and polychromed poplar
2011
Another thing I like about Clark's work is its approachability and casualness. In addition to the playful approachability of the optical effects, the rough cuts, the wearing down/"antiquing" of the colors, and the natural checking/splitting of the wood result in art that creates a relaxed and fun environment. Though fun art can sometimes be saccharine, the abstract subject of these gives them a more cerebral quality.
Time Traveler IX (seated portrait)
carved and polychromed poplar
2011
Time Traveler IX (seated portrait)
carved and polychromed poplar
2011
The black and white pieces as well as the colored triangle ones have a Stella-esque feel in design if not aloofness. The triangles even seem to cause another perspective bending effect as with Time Traveler X, the point of the triangles conflict with the actual angles of the sculpture.
Time Traveler X (seated portrait)
carved and polychromed poplar
2011
Time Traveler X (seated portrait)
carved and polychromed poplar
2011
Time Traveler VIII (seated portrait)
carved and polychromed poplar
2011
Time Traveler VIII (seated portrait)
carved and polychromed poplar
2011
Clark
doesn't go to a lumber yard for his material, he gets it by chance. If he sees someone cutting down a tree, he'll
ask for some pieces. He then cuts the green logs with a chainsaw.
Because the lumber is still very wet, it
splits as it drys. The effect creates and irreverent aspect to the work. It is another way of saying that fine art doesn't have to be precious to be appreciated.
Time Traveler
carved and polychromed poplar
2011
Again, it is hard to believe that these two images are of the same piece. I'm simply making an assumption based on their proximity from my camera download.
Time Traveler
carved and polychromed poplar
2011
I had seen this piece previously at the Art Hop show. Being ash, it is quite dense and heavy. Clark estimated that it weighed about 500 lbs. I think it is the most approachable sculpture in the show, perhaps because its unpainted and scarified surface. It seems to beg to be joined in repose.
Time Traveler XI
carved ash
2011
Time Traveler XI
carved ash
2011
Concentric Hypercube
encaustic
I love these sculptures. They are simple and, in a way, practical. It makes sense to own art that is abstract and aesthetically pleasing. I think that representative art draws to much attention in a home. Especially sculptures or paintings of people...
ReplyDeleteAnyway, cool stuff!