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And I really like how the circle pieces are looking. I'm going to keep the circle sections clear on both of them.
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And I've painted the hole piece (cut from the one above) as I said earlier, with a gradation of color. I think it is coming along but could be darker red in the middle and a little more orange gradation needed. The figure in this wood is just spectacular.
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And I like how these two "Mondrian-esque" pieces are evolving. I like the balance of beautiful with hideous colors. I'm finding that a good level of hideousness is good for a painting. A hideous color isn't really hideous next to a beautiful color, and a beautiful color becomes more interesting next to a hideous one. Together they are definitely better than on their own.
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But these two I'm still struggling with. This small one has an imbalance of hideous colors but I'm not sure how to make it better yet.
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Rob, the one with the hole is simply AMAZING. It is so strong. It has meaning, references to wounds, female genitalia, etc. Very cool.
ReplyDeleteAlso, I love the one that is 3-down from that one, with the red square in the upper left. A great balance of plain wood and colored segments -- plus the color is stronger than in a lot of the other ones, which I am finding appealing.
Thanks Janet. I seem to be getting a lot of positive feedback on the one with the hole.
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